Goan artists’ murals shine at Badrinath Temple

Students of Goa College of Art, Altinho-Panjim, for the first time ever, were invited to create murals outside Goa. It was a special project undertaken to paint murals depicting the avatars of Lord Vishnu at the opening of the Badrinath Temple for the Char Dham Yatra. After the installation of the murals, which took place on April 27, the students and team members share their experience
Goan artists’ murals shine at Badrinath Temple
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Students of Goa College of Art had the rare opportunity to showcase their talent, not just in Goa but in Uttarakhand, where lakhs of devotees will be making their way to Badrinath Temple for the Char Dham Yatra. Over a period of ten days, the students along with their professor and members of the Goa Art and Culture Department, braved the weather and created their murals in a record time.

Kranti Chari is an employee of Art and Culture department and was previously a lecturer at the Goa College of Art. She was joined by staff members, Snehal Shetye and Shrinesh Hinde from the Art and Culture department from Goa. “We received this proposal in mid-March from the central government which came directly addressed to the Secretary of the Art and Culture Department. It came directly to Goa and for the students in Goa. Prime Minister Narendra Modi has visited Badrinath temple and ass it was the site where many people would be coming in the next months, we wanted the walls decorated. Since the temple is dedicated to Lord Vishnu, the panels had to be based on his avatars,” explains Kranti Chari from Panjim.

She further adds, “Ten students were assigned the ten avatars. Initially we planned on individual panels but when we saw the actual size, we compiled the mural into one huge 8 feet by 84 feet mural. Three students worked on different avatars on a size of 8 feet by 12 feet each. I worked on one panel depicting Devki Krishna holding Krishna as a child in her arms, which is only seen in one temple in the whole of India, at Shree Devki Krishna Temple in Marcel.”

Himanshu Khurana, District Magistrate, Chamoli, Uttarakhand and Kumkum Joshi, Sub-District Magistrate extended their support to the team. “There were many challenges on the road to success. Many students fell sick after arriving at the site. The cyclone hit at 3 pm on April 17 just after we had washed the wall and applied the first primer.  We also got a chance to live in a Gurudwara and it gives us a great sense of achievement to see our murals on display,” says Kranti.

Ten students created murals based on the ten avatars of Lord Vishnu which is also known as Dashavatara. Ashish Phal Desai worked on Matsya (fish) avatar, Shubam Palekar worked on Kurma (tortoise) avatar, Sahil Naik worked on Varaha (boar) avatar, Narayan Vernekar worked on Narasimha (man-lion) avatar, Rutika Dessai worked on Vamana (dwarf-god) avatar, Pratiksha Parab worked on Parashurama (Brahman warrior) avatar, Jodan De Souza worked on Rama avatar, Sneha Vadkar worked on Krishna avatar, Rohit Pagi worked on Buddha avatar and Akash Gaonkar worked on Kalki avatar.

Prayuj Velip worked on Vishvarupa of Lord Krishna, Atharva Shenavi Mandrekar worked on Badrinath form of Lord Vishnu where he is depicted in the padmasana posture in the temple sitting while Abhilasha Goswami worked on Anant Roop. The students were guided by Gopal Kudaskar, assistant professor, Painting Department, Goa College of Art.

Atharva Shenavi Mandrekar from Bicholim is a master’s degree student at the college and was enthusiastic to take on the challenge of painting the mural in a short time frame at one of the highest altitudes in the country. A keen learner, Atharva participates in exhibitions and keeps himself updated with the latest trends in art. “The college received the notification by the end of March and in April, we started preparing our artworks. The original works had to be created on asbestos sheets and to work on a mural, you first have to see the size of the wall. We started our work on April 17 and on the very same day, there was hailstorms with thunderstorms and lightning. Some of the sheets fell and broke and remaining had to be immediately shifted indoors. We were working in Govind Ghat Gurudwara, and since murals are huge projects, we had to be very careful with the paint. The weather was very unpredictable and since it was in a valley. The temperature would even drop to minus degrees which made it difficult to work with the speed that we would have done in Goa. We wouldn’t work continuously as the oxygen level would drop. We also had a short deadline as the murals had to be ready and placed at the entrance of the Badrinath Temple, which opened on April 27, and will be open for six months before it closes again,” says Atharva.

Explaining about the medium used for the painting, Atharva says since the murals will be outdoor, it had to be exterior wall paints. The Badrinath Char Dham Yatra will remain open to the public most likely till November 21, 2023. “Dedicated to Lord Vishnu, this temple is also one of the most important pilgrimage sites in India. Prime Minister of India, Narendra Modi has a masterplan for the temple and this project was undertaken as a trial basis. Hopefully, looking at the success, more colleges will participate in the coming years to add to their learning experience. I really enjoyed this project as Badrinath is beautiful place with mountains full of snow and valleys, which I felt very inspiring as a visual artist,” says Atharva.

Prayuj Velip from Quepem, worked on the design of his mural while enroute to his destination, “The students had to randomly pick a lot and I was assigned Vishwa Swarupa, a panel which depicts all the avatars of Lord Krishna which he reveals to Arjun in the Mahabharat. It was challenging to work in extreme climatic conditions as we are not acclimatized to this weather. We had to follow a proper schedule so that the work was completed on time. There was no effect on the paint and it was easy to work with the medium,” says Prayuj.

Principal of Goa College of Art, Altinho, Prof Wilfred Goes, was constantly following up on the progress and challenges of the students. “The students have done a great job on the project. The work was completed indoors and now are installed at the temple which will viewed by so many pilgrims. It was also completed in a record time. The initial correspondence from the Art and Culture department which came from the central government mentioned 50 students but since the Bachelor degree students will be answering their exams, we informed them that we can assign the project to 15 master’s degree students. The project was announced in the college and we also warned them about the harsh weather conditions. A total of 13 students submitted their names. I specially requested the department to provide them with air tickets as usually students are not provided with air travel. I wanted them to be fresh when they started their work. They were also accompanied by staff members of the art and culture department which included our ex-student, Kranti Chari. We has group discussions with the students before they left from Goa and since they are master’s students, they can visualize what they want,” says Prof Wilfred.

This is the first time that the students of Goa College of Art have undertaken such a huge project outside the state. “We previously had students painting murals on the walls of Ravindra Bhavan, Margao and also the GMC Athletic Stadium in Bambolim for the Lusofonia Games in 2014. More recently, the students of Goa College of Arts created a sand sculpture of chief minister Pramod Sawant at Miramar beach, for his 50th birthday under the guidance of Prof Rajendra Mardolkar and two experts to guide them,” adds Prof Wilfred.

The students and staff members visited Badrinath Temple on the day of the opening and from there, they headed to Mana, the last Indian village near Indo-China border. They will be travelling to Rishikesh and proceed to Delhi, where they will board a train to travel to Goa. They will be back home in Goa on May 1.

This art project also showcased the beauty of communal harmony. Jodan De Souza was one of the students who participated in the project where the murals were painted inside Govind Ghat Gurudwara, which was finally installed at the entrance of the Badrinath Temple, highlighting the colors of a united India. 

Herald Goa
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